Resounding Afro Asia

interracial music and the politics of collaboration by Tamara Roberts

Written in English
Published: Pages: 236 Downloads: 635
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Subjects:

  • Cultural pluralism in art,
  • Asian Americans,
  • Music,
  • Music and race,
  • History and criticism,
  • African Americans,
  • Intercultural communication in the performing arts

Edition Notes

Includes bibliographical references (pages 201-217), discography (pages 217-218), filmography (page 218), and index.

StatementTamara Roberts
SeriesAmerican musicspheres, American musicspheres
Classifications
LC ClassificationsML3917.U6 R63 2016
The Physical Object
Paginationx, 236 pages
Number of Pages236
ID Numbers
Open LibraryOL27208768M
ISBN 100199377405, 0199377413
ISBN 109780199377404, 9780199377411
LC Control Number2015028851
OCLC/WorldCa927141254

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Resounding Afro Asia by Tamara Roberts Download PDF EPUB FB2

The Afro Asian artists discussed in this book splinter the expectations of racial determinism, Resounding Afro Asia book through improvisation and composition, articulate new identities and subjectivities in conversation with each other.

Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music   Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music history, while highlighting interracial engagements that have fueled U.S.

music making. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular  › Books › Arts & Photography › Music. Cultural hybridity is celebrated as a hallmark of U.S.

American music and identity. But when hybrid music meets the culture industry, it is generally marked and marketed under a singular racial label. This book examines musical projects that resist this tendency by foregrounding racial mixture in players, audiences, and sound.

Examining Afro Asian musical settings as part of a genealogy of :oso//. Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial label.

Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture :// Read "Resounding Afro Asia Interracial Music and the Politics of Collaboration" by Tamara Roberts available from Rakuten Kobo.

Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marke  › Home › eBooks. Resounding Afro Asia: Interracial Music and the Politics of Collaboration (American Musicspheres) - Kindle edition by Roberts, Tamara.

Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Resounding Afro Asia: Interracial Music and the Politics of Collaboration (American Musicspheres). (ebook) Resounding Afro Asia () from Dymocks online store.

Cultural hybridity is a celebrated hallmark of :// Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry.

Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach Resounding Afro Asia book the United States Resounding Afro Asia traces a genealogy of black/Asian engagements through four contemporary case studies from Chicago, New York, and California: Funkadesi (Indian/funk/reggae), Yoko Noge (Japanese folk/blues), Fred Ho and the Afro Asian Music Ensemble (jazz/various Asian and African traditions), and Red Baraat (Indian brass band and New Orleans second line).

Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed ?authors=Tamara Roberts.

Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks   Although the book’s 11 chapters proceed more or less chronologically, the argument has a topical logic, pausing for a history of Antigone’s reception in philosophy, and to comment on the relation between revenge and tragedy, on neoclassicism, on Racine and Jacques Lacan, and on various engagements with the possibility of a postdramatic :// Her forthcoming book from Oxford University Press is Resounding Afro Asia: Interracial Music and the Performance of Unity.

Tamara is a composer, sound designer, and performer in music, theatre, dance, and film. She would love to hear from you.

Contact Tamara at [email protected]:// Get this from a library. Resounding Afro Asia: interracial music and the politics of collaboration.

[Tamara Roberts] -- "Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked--and marketed--under a single racial label.

Resounding Afro Asia examines In addition to her forthcoming book, Resounding Afro Asia: Interracial Music and the Performance of Unity (Oxford UP), Tamara’s publications include Yellow Power, Yellow Soul: The Radical Art of Fred Ho (Illinois UP) and a special issue of Journal of Popular Music Studies on Michael Jackson.

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